The author of the tutorial is Gordon Sisson.
In this tutorial Gordon Sisson tells, how to make something special from an ordinary photograph using AKVIS ArtWork.
One friend gave him a 2.5 x 3.5 inch snapshot of her daughter, Casandra. When AKVIS ArtWork was released, Mr. Sisson immediately had the desire to try creating a painting. The picture was well-focused, and after its resizing to the required size (8.5 x 11.0 inch) he desided to make an oil painting from the photograph. He wrote:
"One of the most distinguishing characteristics of a painting is brush strokes. Experimenting with ArtWork, I realized that strong brush strokes for the background were too intense for attractive skin tones. In Photoshop it is fairly easy to have lovely painted skin tones along with strong brush strokes in the rest of the picture. Here's how."
The enlargement shows that the brush strokes are too strong for skin tones:
The enlargement shows less intense brush strokes more suitable for skin tones:
Now we will combine the two files so that the skin tones can be applied to the background painting.
- Click on the backgroung photo and press Ctrl+A (on Windows), +A (on Macintosh) or use menu item Select -> All to select the entire image.
- Press Ctrl+C (on Windows), +C (on Macintosh) or use command Edit -> Copy to copy it.
- Then click on the skin-tones image and press Ctrl+V (on Windows), +V (on Macintosh) or select the command Edit -> Paste to paste the other photo into it. Both photos are now in the same file which has two layers in it. All you see on the desktop is the background photo.
- Select the Brush tool (hot-key B), click on the brush thumbnail in the Options bar to get the Brush Picker, and choose a medium size, soft-edged brush.
- Press D to set background/foreground colors to default - the default foreground color is black, and the default background color is white (in alpha-channel, the default foreground is white, and the background is black).
- Then press X to set the foreground color to black and start painting with black brush on the face and skin to reveal the skin-tones photo from the layer below.
To refine the edges a bit, you can choose a smaller brush and zoom in on more detailed areas, if you wish.
Use the Left Bracket [ key to quickly make the brush smaller.
If you paint too far and start to reveal areas not wanted from the layer below, switch the foreground color to white and paint back any parts of the photo on the top layer.
Press the X key to swap your foreground and background colors.