History of photography: Niepce pictures
NIEPCE Joseph Nicephore (March, 7, 1765, Chalon-sur-Saone, France — July, 5, 1833, ibidem) is a French inventor, one of the creators of photography.
He was the first to find a way to fix an image produced by a camera obscura (around 1820s) using bitumen cutback as photosensitive substance (heliography).
He cooperated with L.Daguerre since 1829.
Nicephore Niepce was born to a rich family. His father was the king's councilor and his mother - a daughter of a well known lawyer. In his childhood Niepce
showed a great interest in the invention process but was preparing for ecclesiastical carreer; he quit it in 1792 to become an army officer. Niepce left the army
in the first period of the French revolution because of his royalist sympathies. When Napaleon came Niepce returned into the army and took part in Sardinian and
Italian military operations. He retired due to helth problems and was a statesman in Nizza for a few years. In 1801 he returned home to Chalon and togehter with
his brother Claude devoted the rest of his life to scientific investigations.
Before 1813 Niepce had for many years been occupied with increasing the quality of planographic printing, lithography, invented by A. Zenefelder in 1796.
Heavy Bavarian limestone used by Zenefelder as a printing form Niepce replaced by a sheet of tin. His son made color drawings with a bold pencil on it.
Niepce himself could not draw and after his son had been drafted he started experiments with silver salts. He aimed at making the light "to draw".
The target was achieved with the help of bitumen cutback attenuated in animal oil. He deposited this solution onto a plate made of glass, copper and tin-lead
alloy and exposed it in a camera obscura for several hours. Consequently, first "photo paper" was made of asphalt (!).When the image on the coating
hardened and became visible with the naked eye Niepce processed the plate with an acid in the dark room. The acid dissolved the coating over the lines of the
image covered from light during the exposure process and left soft and soluble (other sources say the asphalt was washed out with lavender oil and kerosene).
After that an engraver engraved clear lines, covered the plate with ink and printed the needed quantity of copies as it had been done before from any etched
or engraved plates. The result of this was an engraving created not by an artist but by light - heliography (after the Greek "of the sun"). Niepce obtained
his first stable image from a camera obscura in 1822. But the only surviving heliographic image is the one of 1826, from the time when Niepce begun to use the alloy of tin
and lead instead of copper and zinc plates. The exposure took 8 hours (!).

In such a way Niepce, for the first time in history, managed to fix an exact image of an object "drawn" by light. In order to do it he used one of photo
sensitive materials - bitumen cutback. But he also had to use the work of an engraver. This kind of heliogravire was only the initial stage in the invention
of photography. Heliogravires were not very clear. Niepce invented an aperture for correction of the image defects arising from the camera obscura open lens.
In 1827 Niepce met Louis Daguerre - the rich and prosperous owner of the Paris Diorama who offered him cooperation. The 64 year old Niepce, diseased and
in need for funds for his investigations, signed a 10-year contract with Daguerre in 1829 to develop the opened by Niepce method of "fixing nature
images without an artist". There was a term clause in the contract according to which Niepce' son Isidore would become an heir in case of Niepce death before
the end of the contract. Niepce sent to Daguerre a detailed description of his heliographic process and showed the technology. Daguerre had to come
to Chalon to see it . They never met after that: each of them worked over his own invention independently.
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